Ringo Starr & The Roundheads In Concert


Irving Plaza, New York City
Sunday, June 20, 2005

Special report by Tom Frangione


It’s rare that you get to see a Beatle perform in a club. In the case of Ringo Starr, it’s equally rare to hear him front an entire show, without his patented "All-Starr Band" format of rotating front men. The only previous concerts Ringo fronted (sans the various All-Starrs) were at the Bottom Line in New York City in June 1998 to promote the Vertical Man album (and which doubled as a warm-up for the VH1 "Storytellers" taping the following night), and an abbreviated set at the same club in 2003 to spotlight Ringo Rama. The 1998 gig was largely a "papered room" with loads of industry types, and the 2003 outing was a (poorly kept) secret "walk-on" gig following the evening’s primary show. In a sense then, the Irving Plaza show was his first "real" public non-All-Starr Band concert (enough qualifiers for you?) That said, this show, spotlighting the newly released Choose Love album, proved to be most satisfying and enjoyable. The 70-minute set contained a good sampling of tunes from Ringo’s recent albums, as well as tracks from the Beatles and post-Beatles era.


 

The Set List was as follows:
1. With A Little Help From My Friends:
Ringo took the stage to the strains of an abbreviated introductory passage ("Billy Shears...")

2. It Don’t Come Easy

3. Octopus Garden:
Ringo commented that they don’t often play this one live, a fact lamented in many an "All-Starr Band" review (for the record, Ringo’s fear that a concert with this song AND "Yellow Submarine" would make it feel like an "underwater show" proved unwarranted – ed.). The song was performed in the original key, with Ringo confidently nailing the vocal. Some strong lead guitar work from Steve Dudas really helped this one along, and from this point forward, the show seemed to be elevated to a new level.

4. Choose Love:
about halfway through the title song of the new album, Ringo took his seat at the drum kit (similar to how he did it on the Letterman Show and Good Morning America performances in recent days).

5. I Wanna Be Your Man:
Ringo remained behind the kit for this one, which featured some nice harmonica playing from Mark Hudson.

6. Don’t Pass Me By:
Ringo took to the piano for the introductory verse of this song, as he did on the most recent All-Starr tour, and "Storytellers" performances, while Gary Burr handled mandolin duties.

7. I’m The Greatest:
For the record, Ringo sang "now I’m only 32 …" as he did on the original recording (which, by the way is itself now 32 …)

8. Give Me Back The Beat:
for this number, a small kit of 2 drums and a cymbal were brought out front for Ringo to use while singing. He commented, though, that there would be no high heels, alluding to All-Starr Sheila E’s similar percussion set up. As on the album, Ringo name-checked the three primary Roundheads ("Gary’s rocking..., Mark’s rocking..., Steve’s rocking…").

9. Memphis In Your Mind:
the rare non-hit, non-new album track from Ringo Rama.

10. Photograph

11. Never Without You:
every bit as touching as the live Roundheads version from the Ringo Rama promotional CD.

12. Back Off Boogaloo:
perhaps the evening’s "heaviest" and most rocking number, Ringo took to the kit for the second part of the song (as he did on "Choose Love" earlier).

13. Boys:
Ringo stayed on drums for this one. Candidly, this is one he always seems to "phone in" on the All-Starr sets. The performance here featured some heavy drumming and really rocked. At this point Ringo took a break, leaving the Roundheads to do some Beatle numbers. At recent Beatlefests, Mark Hudson has alluded to an idea he’s pushed to Ringo, whereby the band would play and sing Beatle songs, and all Ringo would have to do is drum his signature parts (i.e. "Ticket To Ride", "Rain", etc.). This was not to be, but the crowd was in good hands nonetheless.
Following Gary Burr’s solid performance of "You Can’t Do That", Hudson joked that Ringo had hand-picked this next spot, "Revolution 9". He then launched into a ripping medley of "Long Tall Sally", "I’m Down" and "Oh! Darling". Steve Dudas handled the guitar demands admirably here.
Following this mini-Beatle set, Ringo returned for:

14. Yellow Submarine

15. Act Naturally

16. With a Little Help From My Friends (joined by Max Weinberg and Little Steven of Bruce Springsteen's E Street Band) The show ended at 10:10 p.m., but the general consensus among the fans was that there’s no reason Ringo couldn’t or shouldn’t do more shows like this. The Roundheads serve him well, and the intimacy of the club setting was definitely a plus. While I personally enjoy the All-Starr format, it seems like the "Ringo Revue" compared to the genuine rock show witnessed tonight.

 

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Ken Dashow, of New York’s classic rock station Q-104 (who featured a Ringo interview on his "Breakfast With The Beatles" show the morning of the concert) handled MC duties, introducing the band, who took the stage at 9:00 p.m. The capacity crowd (about 1000, all standing room) provided an energy that Ringo and the band clearly fed off. The close proximity of the crowd provided a more traditional rock-and-roll playing field than, say, the sheds that the summer All-Starr tours routinely visit. It was dark, close, loud, and ROCKING!

Spotted in the crowd: former Monkee (and recently displaced radio personality) Mickey Dolenz, former Apple recording artist David Peel, the two E Street Band members mentioned earlier, and of course, the lovely Mrs. Starkey (Barbara Bach).

As this show is one of only two scheduled at press time (the other is a TV taping for PBS "soundstage" near Chicago), there were no shirts or programs available. Surprisingly, not even the "peace and love" bracelets Ringo has been sporting were offered. The lone merchandise for sale was the new CD (Choose Love) which was packaged with a 24" x 24" promo poster for $20.

Considering that most All-Starr outings have about 10 Ringo tunes in the set list, this concert was a generous offering. With talk of a return to the All-Starr format next year, let’s hope the chops displayed at this concert hold up and give that format a much-needed kick in the pants.

 

 



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