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Of
course we talk about Billys link to The Beatles, because this
is a Beatles website, but Billy was quite a legend in his own right.
By way of a quick refresher course in Billy &
The Beatles, he was, of course, the featured keyboard player
during the sessions for the Let It Be (and Let it Be Naked)
album and film. His work was so prominent that he received label
credit on the chart topping single Get Back c/w
Dont Let Me Down. Get Back,
of course, features Billys improvised keyboard solo, a song
he was proud to do in concert on the Apple Rooftop on January 30,
1969 (and also remade for SPLHCB soundtrack). "The One After
909" is especially energetic. He also played keyboards
on Abbey Road. "I Want You (She's So Heavy): and the
classic "Something".
In the early 60s, Billy went to Europe with Little
Richard who was playing in Hamburg. The Beatles were
the opening act and, as the story goes, he was the one who made
sure they got fed. His friendship with them lasted through the 60s
and he was the first act signed to Apple Records thanks to George
Harrison. The resulting album is called "That's the Way God
Planned It.".
In addition to recording two albums for the groups
Apple label, he appeared on a host of John, George and Ringo
albums, in addition to having performed live in concert with
each band member. His performances at the Concert for Bangladesh
"That's the Way God Planned it", on 2 of Ringos
All-Starr Band Tours, Georges U.S. Tour in 1974,
and most recently at the Tribute Concert for George are widely
considered among the highlights of each show. While held in high
esteem by each of the Beatles, his relationship with George was
particularly close; so much so that two of Georges best solo
compositions, My Sweet Lord and All Things Must
Pass were actually recorded and released by Billy prior to
their appearance on Georges own records.

His first album - Billy Preston, The Most Exciting
Organ Ever (1965)
A 20-year-old Preston sexes up the keyboard with a mix of originals
and covers including the folk staple If I Had a Hammer and Little
Richard's Slippin' and Slidin'
Prior to his Beatles association, Preston had performed
with the likes of Sam Cooke, Little Richard, the Rolling
Stones and his own idol, Ray Charles. After leaving Apple,
he had a successful solo career in the 1970s, charting such
hits as Will It Go Round In Circles, Nothing
From Nothing, Outta Space, Space
Race and penning the classic You Are So Beautiful
that was a big hit for Joe Cocker.

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| LENNON |
Plastic Ono Band
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"God" |
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Sometime in NY City |
"Cold Turkey"
"Don't Worry Kyoko"
(Live at Lyceum) |
| HARRISON |
All Things Must
Pass
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"My Sweet Lord"
"If Not for You"
Wah Wah" "Isn't It a Pity"
"Behind That Locked Door"
"The Ballad Of Sir Frankie Crisp"
"I Dig Love" "The Art Of Dying"
" Hear Me Lord"
"I Remember Jeep" (The Apple Jam) |
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Dark Horse |
"Maya Love"
"Dark Horse"
"Far East Man" "It Is He" |
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The Concert for
Bangla Desh |
All Tracks
Spotlight on "That's the Way God Planned It" |
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Extra Texture |
"Ladies &
Gentlemen (His name is Legs)" |
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33 1/3 |
"Beautiful
Girl" "This Song"
"See Yourself" |
| |
Gone Troppo |
"Greece"
"Baby Don't Run Away"
"Dream Away" "Circles" |
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Concert for George |
All Tracks |
| |
Best Of
George Harrison |
Bangla Desh (single) |
| RINGO |
RINGO
|
"I'm the Greatest"
"Oh My My" |
| |
Goodnight Vienna |
"Goodnight Vienna" "Only
You" |
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All Starr Band |
1989 and 1995 |
| |
Choose Love |
"Oh My Lord" "Hard
To Be True"
"Wrong All the Time" |
GEORGE appears on Billy's
albums "I Wrote A Simple Song" and "It's My Pleasure"
GEORGE produced Billy's albums "That's The Way God
Planned It" and "Encouraging Words"
GEORGE and BILLY appear on albums by Shankar Family &
Friends, Splinter and (with Ringo) Doris Troy and Jackie Lomax
ON FILM: Let It Be, Concert For Bangla Desh, Concert
For George, Ringo's All Star Band
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IN CONCERT:
- with The Beatles (on the roof)
- with GH and RS: Bangla Desh
- with RS and PM: Concert for George
- with JL: Lyceum, 1969
- with GH: 1974 US Tour
- with RS: 1989 and 1995 All Starr Band
BEATLE ALBUMS:
- Let It Be
- Let It Be Naked
- Abbey Road
- Past Masters #2 (single: Get Back / Don't Let Me Down)
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TRIVIA TIME:
he played on TWO Beatle #1's ("Get Back" and "Something")
MORE TRIVIA: his versions of "All things Must Pass"
and "My Sweet Lord" came out BEFORE George's originals
! |
.
He appeared on Aretha Franklin's Live at Fillmore West
- Preston backs the Queen of Soul through familiar fare like the
Beatles' Eleanor Rigby and Young, Gifted and Black,
Dylan's Blood on the Tracks.
Billy
often played keyboards on tour with Eric Clapton. He also
did the keyboard work on Sly & the Family Stone's greatest
hits.
He was the musical guest for the first airing of Saturday
Night Live in 1975.
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| Sticky Fingers |
1971 |
"Can't You Hear Me Knockin'"
"I Got the Blues" |
| Exile on Main Street |
1972 |
"Shine a Light" |
| Goats Head Soup |
1973 |
"100 Years Ago" "Heartbreaker" |
| It's Only Rock 'n Roll |
1974 |
"If You Can't Rock Me"
"Aint Too Proud to Beg"
"Fingerprint File" |
| Black and Blue |
1976 |
"Hot Stuff" "Hand of
Fate"
"Cherry Oh Baby" "Memory Motel"
"Hey Negrita"
"Melody" (Inspired by Billy Preston)
"Fool to Cry" "Crazy Mama" |
| Love You Live |
1976-1977 |
A Live Performance of the Stones'
Big Stadium Hits recorded in Paris, including the "El Macambo"
Club in Toronto. Billy's keyboards add a significant flair to
the overall sound. He was very good in concert. |
| Some Girls |
1978 |
"Miss You" |
| Wandering Spirit |
1993 |
Mick Jagger solo album |
| Bridges to Babylon |
1997 |
"Saint of Me" |
John Mayall Along for the Ride 2001
Johnny Cash American IV: The Man Comes Around
- 2002
Eric Clapton's No Reason To Cry.
Me And Mr. Johnson (2004), Reptile, One More Car &One
More Rider (2002).
Enrique Iglesias Vivir (2002)
Carly Simon Christmas Is Almost Here Again (2003)
Christina Aguilera My Kind Of Christmas (2004)
Ray Charles, Genius Loves Company ( 2004)
Preston is present on a number of the duets on Charles' final studio
album, accompanying the Genius with whom he'd worked as a teenager.
Luther Vandross' The Night I Fell in Love.
More recently, Billy can be heard on the latest albums
by Neil Diamond. He's also featured on the Starbucks
soul album "Believe to My Soul" featuring Mavis Staples
and Ann Peebles.
And then there's the Red Hot Chili Peppers '
Warlocks", which bridges two generations of funky musical innovators.
The Chilis will clearly carry Preston's influence into the future.
"He really knew how to bring a song to life," the
group said.
...and other studio work too numerous to mention here.
Fans attending the 2005 Chicago Fest were
treated to a taste of the coming release with the appearance a special
4-Song Sampler, which Billy gladly signed for all purchasers when
he was not on stage discussing his career or wowing the crowd with
his show-stopping performance of Get Back. During
an exclusive interview with Beatle Brunch, Billy discussed the track
selection and his reasons for the timing of this release. (check with
us here at the website or visit www.billypreston.net
for updates).
In the Meantime, Heres a Sneak Peek at the
Wonderful Musical Selections Included on the Sampler:
SGT
PEPPER: performed in Billys trademark R&B style,
this one combines lyrical treatments from both the main
and reprise versions of the song as well as some unique
phrasing and vocal arrangements. Generally, not segueing into With
a Little Help From My Friends after the introduction of Billy
Shears as done on the Beatles original release would seem obtuse;
here, the songs stylistic treatment does well on a stand-alone
basis. Preston plays all instruments and does all lead & backing
vocals on this track. If you liked his Apple-era material, youll
love this.
IM
LOOKING THROUGH YOU: this folk-style Rubber Soul song is
performed here in a barrelhouse piano arrangement, with a single-track
lead vocal. Co-producer Keith Lewis plays the drums on this one.
GIVE
ME LOVE: too often, mixing in solo songs with Beatle tracks
on a compilation such as this can spoil the soup. No
danger of that here; the affection Billy had for his friend shines
through on this Spanish-guitar flavored rendition of the Harrison
chart-topper from 1973. The exquisite sparse arrangement stands
in stark contrast to the full-bodied acoustic guitar sound on the
original. Similar to the original, the song ends on an unresolved
musical phrase.
HERE,
THERE AND EVERYWHERE: leaving no doubt about the extent
of Ray Charles influence on him, this one is cut in the Genius
inimitable style. A throaty lead vocal over a traditional R&B
arrangement (until the lush strings kick in about a minute into
the record) sit comfortably next to the re-working of the signature
introductory musical phrases of this Revolver classic.
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